Warren MacKenzie

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Winning Nomination

Early training at the Art Institute of Chicago and a pottery apprenticeship with Bernard Leach in Cornwall brought Warren and his wife Alix to Minnesota in 1948. In the five decades since, his roles as professor and mentor have shaped and inspired the aesthetics, hands, community, and business ethics of generations of potters in the upper Midwest. Warren is the international emissary for the merger of the provocative qualities of clay with a functional pot. And, of course, time spent in conversation with Warren about his favorite topic is as valuable an acquisition as an example of his work. He still gives workshops to young students. He promotes the work of others.

Last year's recognition of his contributions by the Minnesota Crafts Council and the Northern Clay Center is indicative of the broad level of respect and inspiration he engenders among his peers. There are few design publications, local or national, that have not featured stories on Warren and his work. In March of 1997, Avis Berman produced an article on contemporary American ceramics, for Architectural Digest. Berman discussed Warren's belief that creating a useful pot does not set a limit on artistic expression. And he quotes Warren, saying, "The forms and surfaces [that potters] create are made by the pressure and the grip of their hands on the clay. This contact between maker and material can become a direct and moving experience that may be shared by the users of the pot."

This humble man is a distinguished human being and artist.
~Marcia Anderson, St. Paul, MN



(1924- )

A master potter and a born teacher

Warren MacKenzie once said that he became a potter "by the back door." Growing up in Kansas City, Missouri, and in Chicago, MacKenzie was always interested in art. His post-high school training at the Art Institute of Chicago, however, was interrupted in 1943 by his service in the U.S. Army. Returning to school on the GI Bill, he found that the painting classes he wanted to take were full and so turned to a course in ceramics instead.

MacKenzie's career shift turned out to be a fortuitous one. Today he is one of Minnesota's best-known and most prolific potters and teachers. The beauty in MacKenzie's work lies, above all else, in its functionality. While studying in Chicago, he was inspired by pottery exhibited at the Field Museum of Natural History. "The pots that really interested us," he said in a 2002 interview, "were the pots that people had used in their everyday life, and we began to think--I mean, whether it was ancient Greece or Africa or Europe or wherever, the pots that people had used in their homes were the ones that excited us. And so we thought, if those are the kinds of pots from every culture that interest us, why would we think that it should be any different in mid-North America twentieth century?"

After an apprenticeship with British potter Bernard Leach, who was known for his spare, Asian-inspired designs, MacKenzie settled into a studio in Stillwater, Minnesota. In 1953, he began his long teaching career at the University of Minnesota, where he was named a Regents Professor in 1984. He is now professor emeritus. Over the years, MacKenzie has inspired hundreds of students at the university and at summer programs throughout the country.

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